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The Ethical Questions Surrounding Modern Street Photography

Updated: Sep 28, 2023

Street photography is a genre that has been around for over a century, and it has always been a controversial and hotly debated topic. Street photography captures candid moments of everyday life in public spaces, often without the knowledge or consent of the subjects. As technology advances and privacy concerns increase, the importance and moral questions surrounding street photography in the 21st century have become even more pressing.

Auckland Street Photography Tim Butler-Jones

Now, let me preface this article by stating that street photography is my favourite discipline in photography. Learning the skills associated with street photography can be incredibly useful when applied to commercial photography. Street photography requires a quick eye, an ability to anticipate and capture moments as they happen, and an understanding of how to use light and composition to create compelling images. These same skills are essential in commercial photography, whether you're shooting products, events, or portraits. By learning to work quickly and capture the essence of a moment, you can create more engaging images that resonate with viewers.


Additionally, the ability to work in a wide variety of lighting conditions and environments can be particularly valuable in commercial photography, where you may need to adapt to a range of settings and challenges. Overall, the techniques and approaches associated with street photography can help you develop your skills and bring a unique perspective to your commercial work.


Also this article does not seek to judge or indeed set any moral parameters surrounding street photography, but to briefly raise some questions. Some people believe that street photography is a legitimate form of artistic expression that captures the essence of urban life, while others argue that it is an invasive and exploitative practice that violates the privacy and dignity of its subjects. My personal approach to the subject is that both these statements are true to some extent, and the balance between those will be somewhat determined by many factors such as circumstance and environment.


Auckland Street Photography Tim Butler-Jones

Street photography has a rich history that dates back to the early 20th century. Photographers such as Henri Cartier-Bresson, Robert Frank, and Garry Winogrand were pioneers in the genre, capturing the raw, unscripted moments of everyday life in their respective cities. Their work not only documented the world around them but also provided a powerful commentary on society, politics, and the human condition.

However, as street photography has evolved, so too have the ethical considerations. The rise of digital cameras and smartphones has made it easier for anyone to take photographs in public spaces, but it has also led to an increase in invasions of privacy. Photographers must now consider the rights and privacy of their subjects, especially in an era where images can be shared and disseminated online in seconds.

One of the primary moral questions surrounding street photography is whether or not it is ethical to photograph people without their consent. Some argue that street photography is a form of art and that the photographer has the right to capture whatever they see in public spaces. Others argue that photographing people without their consent is a violation of their privacy and can be exploitative, especially when the subjects are vulnerable.

Auckland Street Photography Tim Butler-Jones

Another important consideration is the use of images after they are captured. Street photographers must be mindful of how their images are used and shared, particularly in an age where images can be easily manipulated and shared on social media platforms. Photographers must consider the impact that their images may have on their subjects, especially when the images depict sensitive or potentially harmful situations.


One way I personally do when taking street photographs is to try and make the subject as unrecognisable as possible using technique. There are several camera techniques that street photographers can use to avoid making people recognizable in their shots, such as:

  1. Shooting from a distance: Photographing from a safe distance using a telephoto lens can allow you to capture your subject without revealing their identity.

  2. Shooting profile, or from behind: Taking photographs of people from behind can be an effective way to avoid showing their faces.

  3. Blurring: Blurring the faces of people in your photographs can be done in-camera using slow shutter speeds (you may need a tripod for this) or during post-processing using tools such as Gaussian blur or the Photoshop blur tool.

  4. Shooting in black and white: Converting your street photographs to black and white can also help to reduce the clarity of the subject's features, making them less recognizable.

  5. Shooting in low light or using shadows: Capturing your subjects in low light can also obscure their features, making them less recognisable. Also using hard shadows to obscure subjects works well.

It's important to note that some of these techniques can affect the quality of your photographs, so it's important to experiment and find the right balance between protecting people's privacy and creating compelling images. Additionally, I find it's always a good idea to obtain consent from your subjects whenever possible.


Auckland Street Photography Tim Butler-Jones

Street photography is a genre with a rich history that has long been a source of controversy and debate. As technology advances and privacy concerns increase, the importance and moral questions surrounding street photography in the 21st century have become even more pressing. Photographers must consider the rights and privacy of their subjects, and be mindful of how their images are used and shared. It's crucial for street photographers to tread carefully and be responsible while capturing the candid moments of everyday life.



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